![]() ![]() LinkedIn began this embrace pre-COVID, but doubled down as the lines between work and life blurred and people increasingly shared more personal experiences during the pandemic. The networking platform, a delineation the Microsoft-owned site is keen to maintain, has welcomed looser conversation and engagement-a more social approach. And we accepted it all the same.īut LinkedIn has ushered in a change over the past few years. It’s always been the professional’s platform and, to be frank, kind of boring. It’s the place where jobs are posted, new jobs are cheered and exalted, and career advice for accomplishing that five- and 10-year plan is doled out in spades.Ĭompared to the likes of Facebook, Snapchat, and Twitter, LinkedIn always felt like the buttoned-up older cousin-the one who gets into a better college, who your mother is always asking you to be more like. Since launching in 2002, the professional networking site has become a career requisite for anyone looking for a new job, to boost their professional clout, or expand their network. ![]()
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Shooting and killing abilities will be tested in this 3D zombie shooter, where you will be able to put them to the test. ![]() ![]() ![]() The interest in greater flexibility of line seemed to parallel that of dramatic storytelling, which developed more fully during this period. Thinly painted lines, as opposed to sharply incised lines, were used to define details within the figures. ![]() Here, the humans and objects were outlined on the reserved clay surface and surrounded by a black background. It is a fine example of the red-figure technique, an approach that essentially reversed the earlier black-figure technique. The firing was stopped before the slip turned red once again.This large krater would likely have been the centerpiece at drinking parties (symposia) in the home of a Greek aristocrat. The fresh oxygen supply turned the pottery back to red. The kiln was then starved of oxygen and filled with carbon monoxide (by using wet fuel), causing the slip to turn black. Careful control of the firing process allowed Greek potters to oxidise the body of the pot, turning it red, by keeping the kiln well ventilated. The vase is decorated in the 'red figure' technique in which the areas surrounding the figures are painted in a slip (mixture of clay and water), leaving the red pottery showing through. These formed the nucleus for Hope's own collection of vases, which he displayed at Duchess Street. In 1801 Hope purchased the second collection of ancient vases formed by Sir William Hamilton, formerly the British Ambassador to the Naples court. ![]() (1807), illustrating objects he had designed for his London house at Duchess Street. The most important of these publications was Household Furniture and Interior Decoration. The vase was once owned by Thomas Hope (1769-1831), the collector, connoisseur, patron and designer, who published a number of influential books of designs. The krater was an ancient Greek vase with two handles that was used to mix wine and water. ![]() |
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